Melvyn Bragg; Kathleen Burk, Professor of American History at University College London; Tim Morris, Lecturer in American Literature at the University of Dundee; Stephen Fender, Honorary Professor in English Literature at University College London.
“The Dark romantic authors represented a response to the optimism of the ideology of Transcendentalism.” from “Dark Romanticism.” Dark Romanticism – New World Encyclopedia. N.p., n.d. Web. 13 Feb. 2017.
“He says that the ancients understood state craft better, when they figured The Prince as a centaur. The centaur is half man and half beast, and that’s what it is to understand state craft. Manly virtue will never be enough, you’ve got to be ready for beastliness, and the centaur is half beast. Now, that is presented directly as a satire of Cicero.”- Prof. Skinner
Cicero: the fox and the lion
“Cicero had said, ‘Force is beastly and is to be avoided, that is simply the lion. Fraud is beastly and that is to be avoided, that is simply the fox’. And Machiavelli says, ‘Since you need to know how to be beastly, you had better know which particular beasts to imitate, and then in the most famous phrase in the book he says, ‘Those who have done best as princes in our time have known how to imitate the lion and the fox’.” – Prof. Skinner
‘You’re going to have to cheat, you must do your best to appear not to be cheating’, and that again is satirical in respect of Cicero’s De Officiis, because one of the things which Cicero keeps telling us is, ‘Fraud will always be found out. So you cannot gain true glory by pretence’, I’m now quoting Cicero, ‘because your pretences will always find you out’ And that becomes a biblical thought too. ‘Be sure your sins will find you out’. Now, one of the most important things that Machiavelli wants to tell The Prince is not to worry about that, because it’s not true. And he’s very keen on the fact that The Prince is not performing his politics in republican conditions. In republican conditions, you’re out in the piazza, everyone has a vote, it’s all public. People are watching you. You’ve only been elected, their turn will come, it’s a communal activity, everything is in the bright light of day. It’s not so for The Prince.” – Prof. Skinner
From Chapters 15-24 “‘Be courageously evil where it’s necessary to be evil, but otherwise follow what people regard as the virtues as much as possible. Because if you don’t, they’ll hate you, and if they hate you, you’re in trouble’. -Prof. Skinner
Illustration of Othello and Iago. Charles and Mary Lamb, Tales from Shakespeare (Philadelphia: Henry Altemus Company, 1901). Via Wikimedia.
La muerte de Séneca. 1871. Manuel Domínguez Sánchez. Museo de Prado, Madrid. El título completo dado por el pintor fue: Séneca, después de abrirse las venas, se mete en un baño y sus amigos, poseídos de dolor, juran odio a Nerón que decretó la muerte de su maestro. Via Wikimedia.
“Machiavelli does himself say at one point in Chapter 15 – this pivotal and notorious chapter where he introduces the virtuoso prince who is not always virtuous. He says ‘I’m teaching you that sometimes you must learn, how not to be good’, and it’s interesting he doesn’t say there, virtuoso, he says buono, a good person. ‘Essarai non buono’ – how not to be a good person.”” – Prof. Skinner
Machiavellian morality vs. Christian morality and classical morality.
“If you’re a prince, you need to go against conventional Christian or classical morality, if you’re an ordinary person, perhaps, you may want to carry on according to Christian or classical morality.” -Prof. Skinner
Isaiah Berlin’s essay The Originality of Machiavelli
Northern England’s English had Nordic influences. Southern England and Normandy had French influences.
Old English had many dialects.
The northern Old English dialect used the Old Norse word egges for eggs. It became the standard word for eggs throughout England. The southern Old English dialect word was eyren. See Kentish dialect. See William Caxton.
“Caxton is credited with standardising the English language through printing—that is, homogenising regional dialects.” (Wikipedia entry on William Caxton)