Category Archives: notes

A Drowning Incident

McCarthy, C. J. “A Drowning Incident.” The Phoenix: Orange and White Literary Supplement. Mar. 1960. University of Tennessee, Knoxville, Tennessee. p. 3-4.

“The black widow came threading her way toward it, and when she reached it she began a weaving motion over it with her legs as if performing some last rite.” p. 3

“He could hear the faint liquid purling even then, even before he emerged from the willows where the bridge crosses, glimpsed through the green lacework the fan of water beyond where the sun broke and danced on the stippled surface like silver bees.” p. 3

“Then with the gentle current drifted from beneath the bridge a small puppy, rolling and bumping along the bottom of the creek, turning weightlessly in the slow water. He watched uncomprehendingly. It spun slowly to stare at him with sightless eyes, turning its white belly to the softly diffused sunlight, its legs stiff and straight in an attitude of perpetual resistance. It drifted on, hid momentarily in a band of shadow, emerged, then slid beneath the hammered silver of the water surface and was gone.” p. 3-4

“It ebbed softly for a moment, then, tugged by a corner of the current, a small black and white figure, curled fetally, emerged. It was like witnessing the underwater birth of some fantastic subaqueous organism. It swayed hesitantly for a moment before turning to slide from sight in the faster water.”

“He lifted the stinking bag and looked at it. It was soggy and through a feathered split in the bottom little black hairs protruded like spiderfeet.” p. 4

Nobel Laureates 1989-1985

Camilo José Cela 1989

Spain (novel/short story) (see Generacion del 36 and tremendismo)

The Family of Pascual Duarte (La familia de Pascual Duarte), La colmenaSan Camilo, 1936 

نجيب محفوظ‎‎  Naguib Mahfouz 1988

Egypt (novel/short story/screenplay)

ثلاثية القاهرة The Cairo Trilogy (Palace Walk بين القصرين, Palace of Desire قصر الشوق, Sugar Street السكرية [Novels named after actual streets in Cairo,])

Ио́сиф Алекса́ндрович Бро́дский Joseph Brodsky 1987

US/Soviet Union (poetry/essay)

Less Than One: Selected EssaysCollected Poems in English, 1972–1999, To Urania : Selected Poems, 1965–1985

Akinwándé Oluwolé Babátúndé Sóyinká Wole Soyinka 1986

Nigeria (drama/novel/poetry)

Season of AnomyThe InterpretersDeath and the King’s Horseman

Claude Simon 1985

France/Madagascar (novel)

La Route des FlandresHistoireL’Acacia

Nobel Laureates 2015-2010

Svetlana Alexievich 2015

Belarus (born in Ukraine SSR) (Soviet history/essay)

Work: Zinky Boys: Soviet Voices from the Afghanistan War, Voices from Chernobyl: The Oral History of a Nuclear Disaster

Patrick Modiano 2014

France (novel)

Work: Lacombe, Lucien (1974) (screenplay), The Occupation Trilogy

Alice Munro 2013

Canada (short story)

Work: Dance of the Happy Shades, Who Do You Think You Are?, The Progress of Love 

管謨業 Mo Yan 2012

China (novel/short story)

Work: 红高粱家族 Red Sorghum, 丰乳肥臀  Big Breasts & Wide Hips, 酒国 The Republic of Wine:

Tomas Tranströmer 2011

Sweden (poetry/translation)

Work: Baltics, For the Living and the Dead, The Great Enigma

Mario Vargas Llosa 2010

Peru/Spain (essay/novel)

La ciudad y los perros, García Márquez: historia de un deicidio (essay)

do-androids-dream-DSC_0621

Do Androids Dream of Electric Sheep?

Dick, Philip K. Do Androids Dream of Electric Sheep? New York: Del Rey, 1996. (First. ed 1968)

“But a mood like that,” Rick said, “you’re apt to stay in it, not dial your way out. Despair like that, about total reality, is self-perpetuating.” p. 6

“First, strangely, the owls had died. At the time it had seemed almost funny, the fat, fluffy white birds lying here and there, in yards and on streets; coming out no earlier than twilight, as they had while alive, the owls escaped notice. Medieval plagues had manifested themselves in similar way, in the form of many dead rats. This plague, however, had descended from above.” p. 15-16

“An android, no matter how gifted as to pure intellect capacity, could make no sense out of the fusion which took place routinely among the followers of Mercerism–an experience which he, and virtually everyone else, including subnormal chickenheads, managed with no difficulty.” p. 30

“Empathy, evidently, existed only within the human community, whereas intelligence to some degree could be found throughout every phylum and order including the arachnida. For one thing, the empathic faculty probably required an unimpaired group instinct; a solitary organism, such as a spider, would have no use for it; in fact it would tend to abort a spider’s ability to survive.” p. 30-31.

“Because, ultimately, the empathic gift blurred the boundaries between hunter and victim, between the successful and the defeated.” p. 31

“It retiring–i.e., killing–and andy, he did not violate the rule of life laid down by Mercer. You shall kill only the killers, Mercer had told them the year empathy boxes first appeared on Earth.” p. 31

“For Rick Deckard an escaped humanoid robot, which had killed its master, which had been equipped with an intelligence greater than that of many human beings, which had no regard for animals, which possessed no ability to feel empathic joy for another life form’s success or grief at its defeat–that, for him, epitomized The Killers. p. 32

“She indicated the owl dozing on its perch; it had briefly opened both eyes, yellow slits which healed over as the owl settled back down to resume its slumber.” p. 43

“Kipple is useless objects, like junk mail or match folders after you use the last match or gum wrappers or yesterday’s homeopage. When nobody’s around, kipple reproduces itself. For instance, if you go to bed leaving any kipple around your apartment, when you wake up the next morning there’s twice as much of it. It always gets more and more.” p. 65

***””No one can win against kipple,” he said, “except temporarily and maybe in one spot, like in my apartment I’ve sort of created stasis between the pressure of kipple and nonkipple, for the time being. But eventually I’ll die or go away, and then the kipple will again take over. It’s a universal principle operating throughout the universe; the entire universe is moving toward a final state of total, absolute kippleization.” He added, “Except of course for the upward climb of Wilbur Mercer.”” p. 65-66

“Every day he declined in sagacity and vigor. He and the thousands of other specials throughout Terra, all of them moving toward the ash heap. Turning into living kipple.” p. 73

“This rehearsal will end, the performance will end, the singers will die, eventually the last score of the music will be destroyed in one way or another; finally the name “Mozart” will vanish, the dust will have won.” p. 98

“An android,” he said, “doesn’t care what happens to another android. That’s one of the indications we look for.” p. 101

quondam

“disemelevatored” p. 126

Edvard Munch

Edvard Munch | The Scream (1893)

“The creature stood on a bridge and no one else was present; the creature screamed in isolation. Cut off by–or despite–its outcry.” p. 130

Edvard Munch | Puberty (1894-95)

Puberty. 1894-95 p. 131, 133

“She was really a superb singer, he said to himself as he hung the receiver, his call completed. It don’t get it; how can a talent like that be a liability to our society? But it wasn’t the talent, he told himself; it was she herself.” p. 137

“”You realize,” Phil Resch said quietly, “what this would do. If we include androids in our range of empathic identification, as we do animals.”
“We couldn’t protect ourselves.”” p. 141

“He had an indistinct, glimpsed darkly impression: of something merciless that carried a printed list and a gun, that moved machine-like through the flat, bureaucratic job of killing. A thing without emotions, or even a face; a thing that if killed got replaced immediately by another resembling it. And so on, until everyone real and alive had been shot.” p. 158

“But what does it matter to me? I mean, I’m a special; they don’t treat me very well either,” p. 163 (Isidore to Roy Baty)

“Rick said, “I took a test, one question, and verified it; I’ve begun to emphathize with androids,” p. 174

“The old man said, “You will be required to do wrong no matter where you go. It is the basic condition of life, to be required to violate your own identity. At some time, every creature which lives must do so. It is the ultimate shadow, the defeat of creation” p. 179

“Mercer talked to me but it didn’t help. He doesn’t know any more than I do. He’s just an old man climbing a hill to his death.” p. 179

“Do androids dream? Rick asked himself. Evidently: that’s why they occasionally kill their employers and flee here. A better life, without servitude.” p. 184

“this android stole, and experimented with, various mind-fusing drugs, claiming when caught that it hoped to promote in an androids a group experience similar to that of Mercerism,” p. 185

“Because without the Mercer experience we just have your word that you feel this empathy business” p. 209

“”The legs of toads are weak,” Rick said. “That’s the main difference between a toad and a frog, that an water. A frog remains near water but a toad can live in the desert” p. 240

“”The killers that found Mercer in his sixteenth year, when they told him he couldn’t reverse time and bring things back to life again. So now all he can do is move along with life, going where it goes, to death.” p. 242

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Stanley Kubrick: Interviews, and BIFF Cinema Library

Found the Cinema Library at BIFF hill. shhhhh. no backpacks.

Stanley Kubrick Interviews by Gene D. Phillips.

“Kubrick is fiercely concerned with the accuracy of the small details that make up the background of his films, because he feels that helps the audience to believe what they see on screen.” viii

“Kubrick sometimes nursed ideas over long periods before he was able to bring them to fruition.” viii

“directing a film can be like trying to write War and Peace in a bumper car at an amusement park, when you finally get it right, there are not many joys in life that can equal that feeling.” p. xii

Dream Story by Arthur Schnitzler

Clean Break by Lionel White

To Read at the library:

book of essays and interviews on Wes Anderson

World Cinema by Geoffrey Nowell-Smith

John Ford

Planet Hong Kong by David Bordwell

Print the Legend: The Life and Times of John Ford by Scott Eyman

The Passion of David Lynch

books on Stanley Kubrick

Interviews with Scorsese, Ridley Scott, Kubrick, Bertolucci, Michael Mann.

books on Kurosawa

Lock, Stock and Two Smoking Barrels screenplay

Mediated Sex: Pornography and Postmodern Culture.

Goodfellas script

books on Cinematography

Eyes Wide Shut screenplay

The Making of Blade Runner

Boogie Nights script

Dark City (book on film noir)