Tag Archives: typeface

Mere Anarchy

Allen, Woody. Mere Anarchy. New York: Random House, 2007. Print.

To Err is Human–to Float, Divine

There is a fervid endorsement by someone named Pleiades MoonStar–a name that would cause no end of consternation for me if I were told at the last minute it belonged to my brain surgeon or pilot.” p. 5

“”What do you do for a living?” she inquired, oddly un-omniscient for a creature of her reputed majesty.
“Night watchman at a wax museum,” I replied, “but it’s not as fulfilling as it sounds.”” p. 9

Veerappan “was a notorious Indian brigand and dacoit. He was active for nearly 30 years in the scrub lands and forests in the states of Karnataka, Kerala, and Tamil Nadu.” Via Wikimedia.

Veerappan

Sam, You Made The Pants Too Fragrant

“”She’s a very handsome woman,” I quickly said.
“Well, you know, it’s all relative. I might look at the same face and see something you’d find for sale in a live-bait store.”” p. 30

To Read Demons by Dostoyevsky

This Nib for Hire

“Just give me a few sample pages to confirm my faith in your brilliance. Who knows, maybe in your hands novelization will finally come of age as an art form.” p. 40

“”Wouldn’t you rather read it yourself? That way the subtle verbal rhythms can resonate in your mind’s ear.”
“Naw, I’ll get a better feel this way. Plus I lost my reading glasses last night at Hooters. Commence,” ordered Biggs, putting his feet up on the coffee table.” p. 41

Glory Hallelujah, Sold! p. 73

“Integrity is a relative concept, best left to the penetrating minds of Jean-Paul Sartre or Hannah Arendt.” p. 77

Caution, Falling Moguls

UMLAUT Say, boys, have any of you read Gilgamesh?
(They assent enthusiastically.)
NUTMEAT The Babylonian Bible? Sure, several times, why?
UMLAUT I’m going to say one word to you: Musical. p. 86

SHEIGITZ Line changes? The blind violinist is now a Navy SEAL?
UMLAUT It gives more oomph. p. 87

NUTMEG What but? Arvide Mite was only waxing hyperbolic when he said you could make the phone book into a hit. Only an idiot or a megalomaniac would accepted the challenge. Especially the Yellow Pages. p. 89

Attention Geniuses: Cash Only

“One is a sophisticated bauble called “If You’ll Be My Puma in Yuma I’ll Be Your Stork in New York.” p 121

Above The Law, Below The Box Springs

“Before working for the Washburns, Tobias was a horse whisperer at a ranch in Texas, but she suffered a nervous breakdown when a horse whispered back.” p. 133

“Her undertaker husband, Wilbur, liked Stubbs and offered to bury him gratis if he would agree to have it done that day.” p. 136

Surprise Rocks Disney Trial p. 147

Sabon (typeface) by Jan Tschichold

Claude Garamond (French designer/publisher) 1510-1561

Jacques Sabon

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Geometry of Design (II)

Elam, Kimberly. Geometry of Design: Studies in Proportion and Composition. New York: Princeton Architectural, 2001. Print.

See Fibonacci number

Golden section square construction Method p. 24

square-construction

AB         AC
—-   =   —–
AC          CB

A C B
|——————-|———|

“The golden section rectangle is unique in that when subdivided its reciprocal is a smaller proportional rectangle.” p. 25

Golden Section Spiral construction. p. 25

620/377 = 1.61803 Golden Section. p. 29

Golden Section Triangle and Ellipse p. 30

Golden Section Proportion of the Star Pentagram p. 31

Root 2 Rectangle Construction (√2)  p. 34

Hambidge Fig. 10 showing construction of “root rectangles. 1920. from Dynamic symmetry: the Greek vase. Via Wikimedia.

Root 2 Rectangle Construction. Circle Method p. 35

DIN System of Paper Proportioning A1-A5

“Root 2 rectangles possess the special property of being endlessly subdivided by proportionally smaller rectangles. It is for this reason that the root 2 rectangle is the basis for the European DIN (Deutsche Industrie Normen), a system of paper sizes.” p. 36

Root 3 rectangle p. 38

Root 4 Rectangle p. 40.

Lacey Davis Caskey – Geometry of Greek Vases: Attic Vases in the Museum of Fine Arts Analysed According to the Principals of Proportion Discovered by Jay Hambidge. Via Wikimedia

See The Modulor by Le Corbusier

Le Corbusier: “the composition of of works of art is governed by by rules; these rules may be conscious methods, pointed and subtle, or they may be commonplace rules, tritely applied. They may also be implied by the creative instinct of the artist, a manifestation of an intuitive harmony,”  p. 43

See Jules Cheret and Star Pentagram proportions.

Hippodrome, Leona Dare, 1883. Via wikimedia.

See Belle Époque

See Bauhaus typeface.

See Oskar Schlemmer

1932 Schlemmer Treppenszene anagoria. Via Wikimedia.

See East Coast poster by Tom Purvis

Designed by Tom Purvis and believed to feature his son with a Meccano. Via Wikimedia.

Circles aligned in Wagon -Bar Poster by A.M. Cassandre, 1932.

А.М. Кассандр (1901 — 1968) Via Wikimedia.

See Constructivism

‘Proun Vrashchenia’ by El Lissitzky, 1919. Wikimedia.

See Die Neue Typographie (1928) by Jan Tschichold

Root 2 rectangles and circles in proportion p. 73

Type construction p. 74

See Max Bill

See Inge Druckrey

See Bruno Monguzzi

Le Corbusier (from Modulor, 1949):

“The regulating lines do not bring in any poetic or lyrical ideas; they do not inspire the theme of the work; they are not creative; they merely establish a balance.” p. 101.

“Biology, geometry, and art are taught as separate subjects. The content area of each that is congruent to the other is often neglected and the student is left to make the connections on their own. In addition, art and design are commonly viewed as intuitive endeavors and expressions of personal inspirations.” p. 101

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